Instead, she wanted to capture the years of her life while they still represented what she was going through, writing about what she was observing and experiencing, from love and friendship to feeling like an outsider. Written throughout her adolescence, Taylor Swift was recorded at the end of 2005 and finalized by the time Swift finished her freshman year of high school. In a genre dominated by men, the odds were already stacked against Swift when she first broke into country music as a teenage female artist.
- This wealth is a result of her multifaceted career, which extends beyond music to include ventures in fashion, beauty, and film.
- Since then, she’s released 12 studio albums, re-recorded four as “Taylor’s Version,” and cultivated one of the most feverish fan bases in music.
- It topped the Billboard Hot 100 for seven consecutive weeks and peaked at number two in the UK; it was also the latter country’s best-selling song of 2010.
- The Western-themed “Desperado” lends itself particularly well to covers by country artists, while the Dido-sampling “Never Ending” conveys the uncertainty she feels about entering a new relationship.
- With an eclectic blend of genres such as pop, dancehall, and psychedelic soul, Anti peaked at number one on the Billboard 200, marking her second chart-topping record in the US.
- She never stopped performing, and while Sister Nancy traveled as far as Israel to sing, she was often relegated to multi-artist bills — and not in the largest text.
- Rihanna’s romantic life has often made headlines, with notable relationships sparking both admiration and intrigue.
Rihanna’s first studio album, Music of the Sun, was released in August 2005 to much intrigue. Her last No. 1 single, “Work” featuring Drake, topped the chart for nine weeks. Her first No. 1 song, “SOS,” topped the chart for three weeks in 2006, while her Grammy-winning Jay-Z collaboration “Umbrella” far surpassed that the following year, maintaining the lead spot for seven weeks.
Redefining its titular term, the four-week chart-topper finds the husky-voiced T-Boz freely admitting to straying from an unaffectionate relationship, proving that the playa anthem wasn’t solely the reserve of their male counterparts. But the song itself did pip fellow superstars Prince, Billy Joel and Lionel Richie to the Best Male Pop Vocal Performance crown. Backed by some fast and furious fiddles, “The Devil Went Down to Georgia” tells the tale of a young musician named Johnny who bumps into Beelzebub himself during a jam session in the Peach State.
If Taylor Swift was the soundtrack to navigating the early stages of teenhood, Fearless is Swift’s coming-of-age record. While her songwriting has developed and matured, feeling like an outsider and carving her own path is a theme she still writes about now, as seen on Midnights’ “You’re On Your Own, Kid.” On the track “A Place In This World,” a song she wrote when she was just 13, Swift sings about not fitting in and trying to find her path.
- Twenty years after she released her debut album, Rihanna is back with new music.
- It’s a bold feminist act that helped power parent album CrazySexyCool to diamond status and was deservedly rewarded with Best R&B Performance By A Duo Or Group With Vocal at the 1996 GRAMMYS (where CrazySexyCool was also crowned Best R&B Album).
- She also established a photography agency, A Dog Ate My Homework, representing photographers Erik Asla and Deborah Anderson.
- Her sophomore effort, A Girl Like Me, followed in April 2006, incorporating reggae, rock, and pop influences.
- Serving as a snapshot of Swift’s life and teenhood, she avoided songwriting stereotypes typically found in country music.
- A pop and reggae album, A Girl Like Me peaked at number five on the Billboard 200 chart, with 115,000 copies sold in the US in its first week.
- After finding love amongst chaos with reputation, Swift was learning to deal with the anxiety and fear of losing her partner — became a major theme of another aptly titled album, Lover.
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A pop and reggae album, A Girl Like Me peaked at number five on the Billboard 200 chart, with 115,000 copies sold in the US in its first week. Impressed, Rogers arranged a second meeting with Rihanna and her mother—this time without the other two girls—and later invited them to his hometown in Connecticut to record demo tapes for record label submissions. Around this time, Rihanna began listening to reggae artists such as Sizzla and Damien Marley, as well as R&B musicians like Whitney Houston and Mariah Carey. She is the highest-certified female digital single artist by the Recording Industry Association of America, and has seven diamond-certified singles and fourteen number-one singles on the Billboard Hot 100. These albums contained the US number-one singles “Rude Boy”, “Only Girl (In the World)”, “What’s My Name?”, “S&M”, “We Found Love”, “Diamonds”, and “Work”. The albums spawned the singles “Pon de Replay” and “SOS”, which peaked at numbers two and one on the US Billboard Hot 100, respectively.
James Cameron’s epic love story starring Leonardo DiCaprio and Kate Winslet
She also won her first GRAMMY in 2008 (Best Rap/Sung Collaboration for “Umbrella”) and scored four other nominations, including Record Of The Year. Good Girl Gone Bad remains Rihanna’s best-selling album and marks her greatest reinvention as she adopted a more rebellious sound. The melancholy “Rehab” is a clever metaphor for lost love, co-written by Timbaland and Justin Timberlake. Produced by Tricky Stewart, the LP’s juggernaut lead single “Umbrella” featuring Jay-Z skyrocketed to No. 1 in 17 countries. Her official introduction to the world also hit No. 1 on the Billboard Dance Club Songs chart; she boasts 33 on the tally, second behind only the Queen of Pop herself, Madonna.
Midnights: Encapsulating Her Artistic Magic
After exploring pop-leaning sonics she first found with Red, Swift worked with Martin and Shellback again on most of 1989. 1989 was lauded by critics for its infectious synth-pop that was reminiscent of the 1980s, yet still had a contemporary sound. She plays with time — speeding it up in “Starlight,” dabbling in the past in “All Too Well,” and reframing it in “State of Grace” — to better understand her experiences. In her liner notes, she references Pablo Neruda’s poem “Tonight I Can Write,” stating that “Love is so short, forgetting is so long” is the overarching theme for the album. From addressing the aforementioned VMA incident in the forgiving “Innocent” to a toxic relationship in “Dear John,” Speak Now also hinted that her rose-colored glasses were cracked, but Swift (and her songwriting) was only becoming stronger because of it.
Rihanna brings sons to A$AP Rocky trial
Highly regarded as Swift’s magnum opus, Red sees the singer shed the fairytale dresses and the girl-next-door persona to craft a body of work that has now been deemed as her first “adult” record. Writing the entire album herself, Swift used Speak Now to prove her songwriting prowess to those who questioned her capabilities. For the first time since becoming an artist, she was forced to reckon with the concept of celebrity and how turning into one — whether she wanted it or not — informed her own writing and perception of herself. On the album’s liner notes, Swift says Fearless is about “living in spite” of the things that scare you, like falling in love again despite being hurt before or walking away and letting go.
Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon. “Mr. Jesus, I’d love to be a queen/ But I’m from the left side of an island/ Never thought this many people would even know my name,” she pleads in the seven-minute two-parter. Her swagger is boisterous in “Phresh Out the Runway,” “Jump,” and strip club anthem “Pour It Up,” but “Nobody’s Business” really drives home the album’s theme of being unbothered. Vocally, Rihanna’s strength lies in her ability to evoke raw emotion à la “Stay.” Featuring Mikky Ekko, the stripped-down, slow-burning piano ballad narrowly missed the top spot on the Hot 100 but gave Rihanna her 24th top 10 hit, surpassing Whitney Houston’s record of 23 in 2013. One of Rihanna’s most precious offerings to date, “Diamonds” emerged as a self-love mantra due to its uplifting “Shine bright like a diamond” chant. Its lead single “Diamonds” resonated in an equally major way, giving Rih her 12th No. 1 on the Hot 100.
Later works: Rated R, Talk That Talk, and Unapologetic
Her debut album, “Music of the Sun,” further solidified her presence, selling over two million copies worldwide and setting the stage for her meteoric rise in the years to come. Jay-Z was immediately captivated, signing her on the spot and launching her career in the music industry. Her journey from a small island to the bustling music scene of America marked the beginning of her transformational career. Relocating from her home in Barbados to Connecticut, she stayed with music producer Evan Rogers and his wife.
Rihanna returned to her more upbeat sound with her fifth studio album, Loud, which was released on November 12, 2010. The album debuted at number four on the Billboard 200 chart and sold 181,000 copies in its first week. The incident and its aftermath influenced her artistically, prompting her to begin work on her fourth studio album, titled Rated R, one month after the Grammy Awards. The reissue of Good Girl Gone Bad, subtitled Reloaded, was released on June 2; selling 63,000 copies in its first week, it helped the original album rise to number seven in the US. The resulting album, Good Girl Gone Bad, was released on May 31, 2007, to critical acclaim. Aiming to dismiss her girl-next-door image in favour of a more mature and rebellious persona, she worked with such producers as Ne-Yo, Timbaland, Justin Timberlake, and Tricky Stewart for the album.
A$AP Rocky talks baby news with Rihanna at Met Gala
Throughout The Life of a Showgirl, Swift, Martin and Shellback craft tracks that go beyond what they created with 1989 and reputation. Reuniting with her pop powerhouse collaborators Max Martin and Shellback, who worked on her biggest pop radio hits like “We Are Never Ever Getting Back Together,” “Delicate,” “Blank Space,” and “Shake It Off,” was a return to form after the fog of TTPD. (“And all the headshots on the walls/ Of the dance hall are of the b—es/ Who wish I’d hurry up and die/ But I’m immortal now.”) On “The Life of a Showgirl,” she declares with her fellow showgirl that she isn’t handing over the baton just yet. The showgirl is actually the one in charge (“I was your father figure/ You pulled the wrong trigger/ This empire belongs to me”), alluding to her battle to retain her masters.
And yet, she has still come out the other side, sparkling, self-assured and ready to revel in a career built on resilience and reinvention — something only a true showgirl could achieve. When she announced the album, she declared, “And baby, that’s showbiz for you.” No one knows that better than someone who has been through the ringer in the industry like Swift has. What is most apparent on the album, though, is just how much Swift embraces every aspect of who she is.
She scored another No. 1 hit with the single “Rude Boy,” while the tracks “Hard” and “Russian Roulette” landed squarely in the top 10. Good Girl Gone Bad remains her best-selling album with over 10 million copies sold worldwide. Her lead single “Umbrella,” featuring Jay-Z, lead the Billboard Hot 100 for a whopping seven weeks and later won the Grammy Award for Best Rap/Sung Collaboration in 2008. Her sophomore effort, A Girl Like Me, followed in April 2006, incorporating reggae, rock, and pop influences.
Rihanna, who has not released a full album since 2016’s “Anti,” voices Smurfette in the film. The songstress herself shared a sweet note on Friday, Aug. 29, thanking her fans and those who “gave me a chance over the years.” To celebrate her success in the music business and beyond, Rihanna is releasing “R20” merch and a vinyl album boxed set, which are available for pre-order on her official online store.
Rihanna has received multiple Grammy Award nominations for her albums, winning Best Urban Contemporary Album for Unapologetic in 2014. Two years later, she nearly doubled this feat, producing a whopping five No. 1 hits in 2010, including “Love The Way You Lie” with Eminem, “Rude Boy,” “S&M,” the Grammy-winning “Only Girl (In The World),” and “What’s My Name” featuring Drake. Known for her sexually provocative imagery and wild style, Rihanna made headlines for the sheer dress she wore to the Council of Fashion Designers of America (CFDA) awards ceremony in June 2014. On her Grammy-winning 2012 album Unapologetic, Rihanna turned out such hits as the No. 1 Sia-written tune “Diamonds” and “Stay,” featuring Mikky Ekko.
The Tortured Poets Department proves that in the throughline of Taylor Swift’s many artistic eras is a commitment to exploration and a love of autobiographical lyricism. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift’s work. Country songs like “cowboy like me” and “no body, no crime” reaches back to Swift’s earlier work in narrative building, seamlessly crafting a three-party story with ease.
Gleefully playing the witch doctor, prolific singer/bassist Esperanza Spalding individually released every song (and an accompanying video) from her seventh album across 11 days before serving up its cauldron of genre-hopping sounds in full. (Rih recorded an equally moving sequel for her Loud album.) Three years later, the two confronted their inner demons in “The Monster,” and their musical chemistry scored a GRAMMY in 2015 for Best Rap/Sung Collaboration. Final single “Te Amo” didn’t chart, but garnered a great deal of attention as the Latin-infused Stargate production depicts Rihanna being enticed by a female love interest. It also marked Rihanna’s first time veering away from her “girl next door” image, as the song’s subject matter deals with infidelity. Follow-up single “If It’s Lovin’ That You Want” stalled at No. 36 on the Hot 100, but still whetted fans’ appetite — as did her debut album, Music of the Sun, which is mostly comprised of dance-pop and dancehall tracks with hints of R&B (like “Willing to Wait”). Shortly after her 16th birthday, Rihanna left her home country for the U.S. to record a demo, which included her breakthrough hit “Pon de Replay.” The demo found its way into Jay-Z’s hands, and Hov signed the teen artist to Def Jam and the label expedited her 2005 debut album, aptly titled Music of the Sun.
She’d see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. Crafting a world with characters like the folklore love triangle between betista casino those in “betty” and “august,” as well as Rebekah Harkness from “the last great american dynasty” (who once lived in Swift’s Rhode Island mansion), was Swift’s way of venturing outside her typical autobiographical style of writing. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. But Lover was more than any accolades could reflect — it was Swift’s transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012’s Red, “Daylight,” which sees her describe her love as “golden” rather than “burning red.”
